Saturday, April 27, 2013

Poetry Contest


The Saving Bannister
28th ANNUAL POETRY ANTHOLOGY CONTEST

The Niagara Branch of the Canadian Authors Association is holding its 28th Annual Poetry Anthology contest for residents of Ontario. 

Entries must be in English, previously unpublished and not submitted for consideration elsewhere. Print should be black in 12 pt. Times New Roman on 8.5 x 11inch white bond paper, one side only, one poem per page.  Line lengths exceeding 44 characters may be broken at the discretion of the committee.  No poems over 2 pages will be accepted. Poems running to two pages require a title and page number at the top of each page. Your name, address, telephone number, e-mail address and titles of your poem(s) must appear on a separate title page only. Number of entries is unlimited, but no more than six poems from one poet will be included in the anthology.

Include with your entry:
(1) your poem(s)
(2) a cover page
(3) a cheque or money order: $15 for up to three poems and $4 for each additional poem, payable to Canadian Authors Association - Niagara Branch. 
Mail your entry to
Canadian Authors Association – Niagara Branch,
Poetry Anthology contest,
P.O. Box 1512
4 Queen Street
St. Catharines, ON  L2R 5G3

Please indicate where you heard about our contest. Submissions willnot be returned. However poets without internet access may include a SASE for replies.  Only poets included in the anthology will be notified.  Contest results will be posted on the website. 

By entering the contest, you agree to give the CAA-Niagara Branch first rights to publish your poem in The Saving Bannister

Deadline for entries is May 31, 2013.

First Prize-$200    Second Prize-$100    Third Prize-$50


Friday, April 12, 2013

Wednesday, April 3, 2013

SARNIA AND AREA NEWS


Media Release

Local “Books and Biscotti” Event to Showcase Award-winning Poets/Authors during National Poetry Month Celebration

Bright’s Grove, Ontario: April 3, 2013: Three well-known Italian Canadian poets from Toronto as well as two award-winning poets from Lambton County will present new work as part of a National Poetry Month celebration planned for “Books and Biscotti”, Sunday, April 14, from 2 to 4 p.m. at the Dante Club, 1330 London Road (side entrance hall) in Sarnia.

      Guest readers include: Toronto publisher and Guernica Editions co-owner Michael Mirolla, poet/author/performer/artist Sonia Di Placido and Len Gasparini, a 2010 winner of the NOW Open Poetry Stage event plus local poets Debbie Okun Hill, an Ontario Arts Council Writers’ Reserve recipient and first prize winner of the 2013 Sarnia-Lambton Alzheimer Society’s “Forget Me Not” poetry contest and Lynn Tait, first prize winner of The Ontario Poetry Society 2012 Arborealis Contest. Four of the featured poets are members of the League of Canadian Poets, a professional organization for established and emerging poets.

       Several books are expected to be launched in this free community presentation hosted by the Dante Club in conjunction with the Italo-Canadian Cultural Club/Laziali di Sarnia and the Association of Italian Canadian Writers (AICW).

        “Each year, we try to introduce new Italian Canadian writers to our local community,” said Venera Fazio, one of the co-organizers for the annual event. “This year, we are thrilled to spotlight several writers from Guernica Editions, a Toronto press that deals in one way or another with the pleasurable understanding of different cultures. Since 1978, this press has published over three hundred titles and five hundred authors from around the world.”                                                                                                
         Mirolla, the editor-in-chief, will be reading from his new collection of short stories: The Giulio Metaphysics III as well as promoting his Bressani Prize winning novel Berlin, his poetry collection Light and Time and his short story collection The Formal Logic of Emotion (translated into Italian as La logical formal dell emotion).
         Di Placido will be reading from Exaltation in Cadmium Red, a body of poems that “revels in this fanatical, fantastic colour to express the heights and depths of passion – engaging in meditations on prayer, spirituality, feminism, and the breadth of existence in a post-colonial, trans-national and transsexual age.”           
         Gasparini will be reading new poems from a forthcoming book titled Mirror Image.
        According to co-organizer Delia De Santis, the Sunday event also represents the Sarnia launch of EnCompass 1 (Beret Days Press): a poetry anthology featuring the work of Tait, Okun Hill and three other Canadian poets: Bernice Lever (British Columbia), Jan Wood (Saskatchewan) and Josie Di Sciascio-Andrews (Ontario). Okun Hill and Tait will read their award-winning work as well as several selections from the anthology.
The afternoon will be emceed by Luisa Zoncheddu Solinas.
AICW is a national organization that brings together a community of writers, critics, academics, and other artists who promote Italian-Canadian literature and culture.

For more information or to set up a media interview contact:
Delia De Santis 519-869-6852 deliadesantis@yahoo.com

A short bio of the participants has been attached. Photos available upon request.                
Books and Biscotti National Poetry Month Event -- April 14, 2013

SPOTLIGHT READERS/PERFORMERS IN ALPHABETICAL ORDER


Sonia Di Placido is a poet, writer, performer, and artist currently completing the Creative Writing, Optional Residency, MFA Program with the University of British Columbia. She is a graduate of the Ryerson University Theatre School and holds an honours BA in Humanities from York University. Sonia has worked as a Supernumerary with the Canadian Opera Company, is a member of the Association of Italian Canadian Writers and the League of Canadian Poets. She has published profile pieces and creative non-fiction with Tandem News, poems in literary journals in Canadian and International anthologies.

Len Gasparini is the author of numerous books and chapbooks of poetry, five short-story collections, including The Snows of Yesteryear (Guernica, 2011), two children’s books, a work of non-fiction, and a one-act play. In 1990, he was awarded the F.G. Bressani Literary Prize for poetry. In 2010, he won the NOW Open Poetry Stage event. He lives in Toronto.

Debbie Okun Hill is President of The Ontario Poetry Society, a co-host of Sarnia’s Spoken Word event and a recent Ontario Arts Council Writers’ Reserve grant recipient. Her poems have been published in Descant, Existere, Vallum, and The Windsor Review in Canada plus Mobius, The Binnacle and Still Point Arts Quarterly in the United States. She has read her work throughout Ontario including the Fringe Stage of the 2011 Eden Mills Writers’ Festival and during the 2012 PoeTrain Express/Spring Pulse Poetry Festival in Cobalt. Black Moss Press will publish her first full collection in the Fall 2013.



Novelist, short story writer, poet and playwright, Michael Mirolla’s publications include a punk-inspired novella, The Ballad of Martin B.; two novels: Berlin (a Bressani Prize winner), and The Facility, which features among other things a string of cloned Mussolinis; three short story collections: The Formal Logic of Emotion (translated into Italian as La logica formale delle emozioni), Hothouse Loves & Other Tales and The Giulio Metaphysics III; and two collections of poetry: Light and Time, and the English-Italian bilingual Interstellar Distances – Distanze Interstellari. A poetry collection, The House on 14th Avenue, is scheduled for Fall 2013 from Signature Editions, and a short story collection, Lessons In Relationship Dyads, is scheduled with Red Hen Press in the U.S. His short story, “A Theory of Discontinuous Existence,” was selected for The Journey Prize Anthology, while another short story, “The Sand Flea,” was nominated for the Pushcart Prize. A poem, “Blind Alley,” was shortlisted for the Winston Collins/Descant Prize for the Best Canadian Poem in 2007. Along with partner Connie McParland, Michael runs Guernica Editions publishing house.

Lynn Tait is an award-winning poet/photographer residing in Sarnia, Ontario. Her poems have appeared in numerous American and Canadian magazines including The Windsor Review, Quills, Contemporary Verse 2, Feathertale Review, and in over 60 anthologies including two previous Arborealis anthologies. She is a member of the League of Canadian Poets, The Ontario Poetry Society, and two local writing groups Writers in Transition and After Hours Poets.

Saturday, March 30, 2013

ALBERTO MAGSUCI


       The Desert Sand

I see from a distance
the orange-glazed sand
baking under the sun
heat dances in dry air
on parched desert sand.

Wind blows, clouds of fine dust
heap into piles like sand dunes
once the sand tombs of the Dilmun
the soul of the desert at rest.

I take a handful of sand
I press down and squeeze
the sand trickles through my fingers
I open my hand, only dust is left.

My life, like the sand
I cannot keep nor hold
into dust my life ends
the wind blows, dust spread
to the ends of the Earth.


Editor's Note:

Alberto has sent me the following information:


"The Dilmun is an ancient Bahraini civilization that once flourish 2300 BCE. It is one of the most important civilization of the region and stop to flourish in 600 BCE. At present, there are still many relics of this era like the burial mounds located in Sar, Bahrain.Attach is a photo."

pd458679.jpg

Tuesday, March 26, 2013

MARTY MESHBERG


Flowing


To keep the words flowing,
I sit with my head in my hands. 
I can feel the throbbing pulse
in my temples. Closing my eyes,
swirls of blue and purple light 
fill the darkened screen, undulating
in a rhythmic, surging sequence. 

Voiceless chatter absurdly fills
the murky void with unruly nonsense. 

I shift and try to release
the tension in my neck...stretching
from side to side.
Grinding and clicking pops
seem to come from a deep chasm
within. Suddenly, I observe
a profusion of colors, hues and shapes.

A completed canvas appears boldly
in front of my astonished eyes.

I realize I am not in a realm of
conscious, poetic thought;
but must record these colorful impressions
stemming from the 'tablet of my heart'.

Lifting my head and opening my eyes
I reach for my canvas and brush.


Martha Meshberg
© January 2013

Wednesday, March 13, 2013

WILMA SEVILLE

Wolf Mother

The mother wolf outside her secret lair
narrow entrance hidden behind thick bush
seven newborns within
yelping loudly, hungry for her return.

She walks,lanky, half starved, keen eyes observing
waiting for movements to betray her prey
hidden behind snow drifts, invisible
snowshoes hare, sniffs air, starts running.

Clumps of grass poke through where sun has been
snow drifts cover areas of forest
wolf mother searches for her prey
white-tailed deer, snowshoe hare or mice.

Powerful jaws, razor sharp teeth, lean body
keen eyes spot foraging band of hares
wolf mother, trotting upwind, not instantly sensed
springs forwards, jaws ready.

Suddenly she gives a snarl, her teeth bared
hind legs imprisoned by biting steel
shrill howls of anguish shatters forest stillness
crimsoned red spreads over white snow bank

Seven little pups, now orphans, howl their despair
alone in the den with no mother to care.



Poet's Note:

This poem has been performed several times in front of audiences. It was written in 2010 and the interesting thing is that in order to learn more about wolves, I went to the internet and found a wolf howl.  I kept playing and playing it, and my three cats at that time, kept looking all around for the source of the howl.  It was quite funny to see their expressions - they kept looking at me and then realized they were quite safe.  After a while, they just went back to their usual occupation - sleeping.....

Thursday, February 21, 2013

DAVID HASKINS


Death and Other Misconceptions.                                     



I was having a cup of tea when Death tapped me on the shoulder.
- Put on your travellin’ shoes, he said, and come with me.
- Where to?
- Wouldn’t you like to know, he said.

Death drove up in a pink Cadillac.
- Wanna drive?
- I’ll take my Mazda, I said.
- No Mazdas where you’re going, friend.  Only Cadillacs.  Planted nose down in the Cadillac graveyard.  We’re hoping that in spring they’ll sprout up, though they never do.
- Maybe you planted them upside down.

Death rode by in a black carriage drawn by two black horses.  He wore a black cape, and carried a sickle in his belt.
- Coming for me? I shouted as he passed.
- Not if you know where I can find Bergman.  He said he could use a cliche.
- Try the horizon, I said.  There’s a parade going on over there.

Death rode in on a scythe and landed in the hay field.
- Wanna be the centre of your universe? he said.
He ran around me in ever widening circles, flailing at the hay.
- That’s better.  You can’t see it, but from up there it will look really good.
- Is that where I’m going, up there?
- Just your head, he said, wielding his scythe like a battle axe.

Death showed up in a dream, wearing khaki fatigues and dripping sand.
- Time’s up, he said.
- Already? I said.  Can’t you let me sleep in? (I thought he was the sandman.)
- Well alright.  Just set the snooze button.  It’s opening night.  You won’t want to miss the fireworks.

Peter Pan flew in the open window and landed on my bed.
- Wait a minute, don’t tell me.  You’re not really...
- Peter Pan, he said.  I came for my shadow.
- What shadow?
- The Between the a’s and the b’s / Falls the Shadow shadow.  Between life and what’s next Falls the Shadow shadow.  The Shadow of Death, dummy.  Only mine fell... off.
- Did you try down in the valley?
- Funny.  I don’t walk.
- Like Superman.
- Who do you think taught him to fly?

         
Superman flew into the rail on my balcony.
- Hop on, grab onto my legs and I’ll fly you around the city while we listen to soft music and watch the fireworks and imagine we’re in love.
- But you’re a man.
- Super, he said.
- Do you do this often? I asked.
- No, but it’s my birthday, and I need to get out more.  Besides, I made a wish.  Get it?  A death-wish.
- Super, I said.
- There’s no such thing as Superman, you know.  Superman is really just me in a Superman outfit.  I used to dress up as the Grim Reaper on Hallowe’en, but people said, Oh, it’s that guy dressed up as Superman dressed up as the Grim Reaper.

The Angel of Death flew by on black wings, without any clothes.  He swirled his net above my head like a lasso.
- Have you seen my telephone booth?
- There’s one at the end of the tunnel.
- There’s a lot of things at the end of the tunnel.  No good to me, I’m claustrophobic, and besides, my eyes are shot; I can’t take bright light.
- Shall I get it for you? I asked.
- Don’t lie to me.  You just want to go there so you can tell everyone you came back.
- Pot calling the kettle black?

Death beckoned me to cross over to the other side.
- Of what? I asked. Looks the same over there.
- Wait till you get there, he said.
- If you don’t mind, I’ll wait here.

I asked Death
- Why do you get to choose?
- Haven’t you been at a rock concert where you can’t actually hear the bass, you can just feel it jump-start your heart and jiggle your eyeballs, and the bottom drops out of everything normal, and you think God, this is what Death must be like? And then some guy in the band picks up a guitar and strikes the first chord and brings you crashing back into this world. It’s not like the bass quit, it’s just that it’s not the whole story; it drives the story, but it’s not it. That’s Death, man. A bass beat. Deal with it.
- Deal or No Deal. So who comes for you, huh?
- The ice man.

Death’s list of undervalued benefits:
- an end to your student loan, the mortgage, spam, telemarketing calls, and the India Pakistan cricket final. 
- an end to worrying about whether it will rain tomorrow.  No one likes sloshing around in the mud with an AK-47.  Then again, if it doesn’t rain, the Taliban will be killing the coalition soldiers, the Americans will be killing the Iraqis, the insurgents will be blowing up themselves and anyone nearby, the Syrians will be killing each other, the Palestinians and the Israelis will be thinking about killing each other, and I’ll have bigger fish to fry.

Death rode by in a red wheelbarrow.
- I am the source of life, he said.  Depend on it.  It’s not for nothing that death rhymes with breath, or birth, well almost.
- You’re a load of shite, I replied.
- Right, he said.

Death is really a Tarot card, the thirteenth enigma (no variation).
- It’s the twelfth year; Jupiter has turned back toward the constellation of Cancer.  I am the end of an era, he said.
Then he died.
                                                                


The references: How many did you get?

Put on your travellin’ shoes - a Delta Blues tune about death callin’ on a person.    

Cadillac graveyard - in Amarillo, Texas, featured in Life Magazine circa 1961

Ingmar Bergman’s famous scene of Death leading a parade along the horizon in The Seventh Seal, I think.

Obviously, crop circles.

The sandman and fireworks are from Desert Storm

Falls the Shadow - from T S Eliot’s The Hollow Men

Yea though I walk through the valley of the shadow of death - 21st Psalm   

the light at the end of the tunnel - “near death” experiences                        

The Ice Man Cometh - Eugene O’Neil’s play

The effect of weather on war - in Jeremy Clarkson’s column for the Sunday Times

William Carlos Williams’ The Red Wheelbarrow
shite - manure - a traditional symbol of death spawning life

no variation - Elgar’s Enigma Variations